|
HS Code |
533430 |
| Productname | Acid Yellow 59 |
| Casnumber | 6359-98-4 |
| Chemicalformula | C16H12N4Na2O7S2 |
| Molecularweight | 498.40 g/mol |
| Appearance | Yellow powder |
| Solubility | Soluble in water |
| Colorindexnumber | 13900 |
| Lightfastness | Moderate |
| Meltingpoint | Decomposes |
| Usage | Dyeing wool, silk, and nylon |
| Phvalue | 5-7 (1% aqueous solution) |
| Ecnumber | 228-790-2 |
As an accredited Acid Yellow 59 factory, we enforce strict quality protocols—every batch undergoes rigorous testing to ensure consistent efficacy and safety standards.
| Packing | Acid Yellow 59 is packaged in a 500g sealed, amber plastic bottle with hazard labeling and product information, ensuring safe handling. |
| Shipping | **Acid Yellow 59** should be shipped in tightly sealed containers, protected from moisture and incompatible substances. It is not classified as a hazardous material for transport according to most international regulations. Ensure the packaging prevents leaks and powder loss. Store and transport in cool, dry conditions, following all relevant safety guidelines. |
| Storage | Acid Yellow 59 should be stored in a tightly sealed container in a cool, dry, and well-ventilated area, away from incompatible substances such as strong oxidizers. Protect from direct sunlight, heat, and moisture. Label containers clearly and avoid any conditions that may lead to chemical degradation. Handle with appropriate personal protective equipment to prevent exposure or contamination. |
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Purity 98%: Acid Yellow 59 with purity 98% is used in textile dyeing processes, where it ensures vibrant and uniform coloration on polyester fabrics. Lightfastness Grade 5: Acid Yellow 59 of lightfastness grade 5 is used in wool fiber dyeing, where it provides long-lasting color retention under sunlight exposure. Particle Size 20 micrometers: Acid Yellow 59 with particle size 20 micrometers is used in inkjet printing ink formulations, where it promotes smooth dispersion and consistent print quality. Aqueous Stability pH 4-6: Acid Yellow 59 with aqueous stability at pH 4-6 is used in cosmetic formulations, where it maintains color integrity within mildly acidic conditions. Melting Point 255°C: Acid Yellow 59 with melting point 255°C is used in high-temperature dyeing applications for nylon fibers, where it resists thermal degradation and maintains chromatic strength. Viscosity Grade Low: Acid Yellow 59 of low viscosity grade is used in water-based paint systems, where it enables easy mixing and improved application properties. Molecular Weight 343.30 g/mol: Acid Yellow 59 with molecular weight 343.30 g/mol is used in food packaging coloration, where it allows for precise dosage and controlled migration profiles. Sulfonation Level High: Acid Yellow 59 with high sulfonation level is used in paper coating processes, where it enhances dye affinity and reduces wash-out during post-treatments. Dye Strength 120%: Acid Yellow 59 with dye strength 120% is used in leather dyeing, where it achieves high-intensity color with reduced chemical consumption. Heat Stability 180°C: Acid Yellow 59 with heat stability up to 180°C is used in plastic masterbatch production, where it ensures color fastness during extrusion. |
Competitive Acid Yellow 59 prices that fit your budget—flexible terms and customized quotes for every order.
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Anyone who has spent time in a textile lab knows the thrill of seeing color come to life. Acid Yellow 59 stands out among acid dyes for its vivid, consistent shade that never seems to disappoint, even after countless dye cycles. Talking to dyers and working hands-on with wool, silk, and nylon, you quickly pick up a few favorites, and Acid Yellow 59 earns a spot on that list for practical reasons that surface over time—not just marketing copy.
Dye work is more than just pouring powders and hoping for the best. Acid Yellow 59 comes as a crystalline yellow powder, easy to handle and to dissolve in water. In practice, it handles well in acidic conditions, which is exactly where protein fibers shine. Experienced dyers will tell you—ease of dissolving saves wasted time and reduces clumping, critical for anyone handling larger batches or operating under time pressure. The dye displays a rich, brilliant yellow, much more saturated and less brash than some alternatives. This depth delivers strong visual impact without the murkiness or muddiness you sometimes find in older formulations or natural counterparts.
Working pH matters. Under 4.5 to 5.5, Acid Yellow 59 shows its best side on wool and silk. The bond forms tight to the fiber, which I’ve seen improve wash and lightfastness compared to cheaper yellows. The processed result isn't just a splash of color; the fiber keeps that clean, electric look, even after post-processing washes, exposure to sunlight, or more intensive use. In industrial settings, where consistency lowers operational headaches, this dye simplifies dye house life.
Wool and silk dyers keep coming back to Acid Yellow 59, but nylon responds beautifully as well. Companies using it in garment, carpet, and upholstery production tend to remark on the fastness properties, specifically color retention after washing and UV exposure. Laboratory testing backs up these observations, with the dye frequently reaching a Grade 4 or higher on international grey scale tests for fastness. For artists or crafters, this means fewer worries about garments fading or running. Those working in high-performance textiles—think sports uniforms or contract textiles for hospitality—can achieve colors that outlast the competition.
It’s not always about protein fibers. Acid dyes don’t anchor to cotton or viscose on their own, something you learn quickly if you’ve tried cross-applying your dye shelf. Blends containing wool or polyamide still benefit from Acid Yellow 59, allowing for complex patterned effects where other yellows might creep or bleed. This controlled application makes it an asset for anyone running digital printing machines, too—and with the rise of customized, short-run textile printing, accuracy means fewer ruined samples and more successful runs.
In the landscape of yellow acid dyes, choices abound. But practical comparisons reveal clear differences. Take Acid Yellow 36: it often skews toward a slightly greener tone, and it can dull down more obviously on wool, especially after multiple washes. I’ve swapped out Acid Yellow 36 for 59 in side-by-side runs and seen side-by-side scarves hang in the sunlight; the difference is immediately clear after a few weeks. Acid Yellow 17 has its place, but it comes up less punchy and can create issues for color mixers looking to achieve a neutral or slightly warm yellow base.
Color strength and transparency set Acid Yellow 59 apart from older choices. It delivers depth without bringing muddiness—this is crucial if you’re trying for clean pastels by dilution, or building vibrant secondary shades for prints. Some dyes, pushed to their limits, will drop visible residue or disrupt the hand of the fabric. Acid Yellow 59, worked correctly, leaves smoothness intact—important for anyone selling fine fashion or demanding luxury interior textiles. In sensitive applications such as baby wear or performance apparel, low impurity levels reduce the chance of skin irritation, a point you can’t ignore with increased consumer scrutiny.
The world of colorants is shifting. New regulations around contaminant levels, particularly in Europe and parts of Asia, put pressure on dyers to select safer components. Acid Yellow 59 consistently shows low levels of regulated amines and heavy metals, streamlining compliance without forcing clients or manufacturers to change recipes year after year. From my own work consulting on dye house audits, switching to compliant acid dyes often feels less like a compromise and more like a relief. You don’t need to worry about sudden regulatory changes or out-of-spec deliveries.
Water and energy savings come indirectly with efficient dyes. Acid Yellow 59’s higher uptake on wool and nylon means fewer rinses and shorter processing times under correctly controlled heat and acidity. In larger dye houses or even small-batch studios, those minutes add up—to real energy savings, real water conservation, and, frankly, less boredom waiting around during batch processing. These incremental savings deliver measurable environmental benefits, especially in regions where regulatory compliance meets real resource scarcity.
Some products ride trends or enjoy a brief moment because they are new or novel. Acid Yellow 59 keeps a root in practicality. Ask any textile instructor or talk to artisan dyers—they want a yellow that works across bases, that won’t shift its tone halfway through a job, or fade out by the next season’s wear. That reliability is why so many professionals recommend stocking up on it, whether you’re working with bulk yardage or small, intricate silk scarves. Consumers may not know the names behind their favorite colors, but the consistency in their clothes and home goods stems from choices like this.
Color blending showcases another benefit. Unlike some yellow dyes, which can overpower or muddy blues and reds in complex mixtures, Acid Yellow 59 blends evenly with standard acid blues and reds. This brings creative flexibility, letting designers push their palettes further without ending up with unpredictable or dull shades. Advanced digital textile printing, inkjet applications, and resist dyeing all take advantage of this clean mixing profile. The balance between transparency and vibrancy brings more true-to-design outcomes, so finished goods match the designer’s vision without compromise.
Years in and around dye houses, you pick up the value of sharing experience. Acid Yellow 59 benefits from a deep well of technical literature and best practices. Trade groups and university extensions provide detailed guidance, and suppliers run workshops teaching optimal pH slopes, fixative use, and operational shortcuts that directly reference Acid Yellow 59. This open knowledge base lowers the barrier for new entrants and sidesteps common mistakes that frustrate so many people starting out. Greater collective knowledge means less wasted material and better final products—a win for the entire industry.
Anecdotally, switching out less stable acid dyes for Acid Yellow 59 often reduces helpdesk calls and complaints in manufacturing environments. Technicians, often juggling five or ten hues on a single job, appreciate not having to compensate for batch-to-batch shifts or unpredictable fading. It’s not about nostalgia for older dyes—it’s about tools that quietly empower people to do better work, faster and with fewer surprises.
Industry professionals are acutely aware of the impact that dyes can have on worker safety and wastewater profiles. Acid Yellow 59 earns trust through stable composition. While handling any dye demands gloves and responsible ventilation, this product does not impose extra safety demands compared to alternatives. Its chemical structure falls within the scope of established acid dye norms, so storage, mixing, and transport benefit from clear best practices, available through both manufacturers and regulatory agencies.
Wastewater remains a sticking point in many textile dye operations. Acid Yellow 59’s higher exhaustion rate means more dye reacts with the fiber, less going down the drain. Not a perfect solution, but every percent that ends up in the product rather than in effluent marks a win for both business and the environment. After working with several dye houses aiming for zero-discharge or reduced-discharge operations, I’ve seen the positive impact of focusing on dyes with high uptakes and lower aquatic toxicity. On-site filtration, modern ion-exchange systems, and shifting to closed circuit rinse baths further chip away at environmental impact.
Sustainability and compliance drive research and procurement today as much as visual results. Acid Yellow 59 sits in a strong position for those watching REACH, OEKO-TEX, or ZDHC requirements. Fewer restricted impurities in the raw material reduce surprises on audits or during third-party testing, freeing up time and budget to focus on innovation instead of crisis management. Fashion, automotive, and home textiles rely on these credentials both for legal compliance and as selling points to environmentally-conscious consumers.
As digital printing carves a bigger space in global textile production, Acid Yellow 59’s clean mixing and heat stability open new doors. Practical experience has shown that on wool and nylon digital substrates, the dye resists color shift under the intense heat of direct fixation. For print designers and manufacturers balancing high output with uncompromised color accuracy, such stable performers let them expand product lines without increased technical support or rejected lots. Innovations in fiber-reactive and disperse dye hybrids look promising but haven't yet displaced acid dyes for wool and silk—so for now, Acid Yellow 59 keeps its pride of place.
Years of watching batch after batch of textiles emerge from dye baths, I come back to the idea that success often means fewer surprises. Acid Yellow 59 feels like an old friend to those in the know. It brings together easy handling, robust fastness, and compatibility with both old-school and state-of-the-art use cases. Running tests in educational environments, the dye introduces students to chemical principles of uptake, pH dependence, and the art of repeating results. There is a certain value in products that teach well and scale effortlessly from bench-top beakers to industrial vats.
No product offers perfect answers to every challenge. For fully plant-based textiles or innovative protein mimics, pure acid dyes rarely bind without modification. But for garment makers, accessory designers, and textile artists focused on animal-based or polyamide blends, Acid Yellow 59 combines reliability with just enough flexibility to encourage experimentation. From school classrooms to industrial plants, the dye bridges the gap between traditional methods and modern demands, allowing for creative and commercial success that doesn’t come at the cost of compliance or long-term quality.
Every experienced operator who shares results, tips, or troubleshooting guides for Acid Yellow 59 makes the work a little easier for the next dyer or color matcher. Real-world stories accumulate—a scarf that stayed bright over years of use, a production run that hit every shade on the dot, a reduced energy bill from shorter rinse cycles. These experiences drive the product’s reputation more than any advertising.
As the color landscape broadens and new requirements for transparency, safety, and reduced impact arrive, Acid Yellow 59 remains a trusted building block. The key lies in its versatility and reliability—qualities that lead not just to better looking products but also to smoother operations and satisfied clients. In a market where textile artistry meets consumer scrutiny, thoughtful material choices made by professionals echo far beyond the dye house, shaping sustainability goals and the everyday experience of color in life.