|
HS Code |
861985 |
| product_name | Acid Black 2 |
| chemical_family | Azo dye |
| color_index_number | C.I. 50420 |
| appearance | Black powder or granules |
| solubility | Soluble in water |
| molecular_formula | C20H13N5Na2O8S2 |
| molecular_weight | 577.46 g/mol |
| primary_use | Textile dyeing |
| application_medium | Acidic conditions |
| light_fastness | Moderate to good |
| cas_number | 1064-48-8 |
As an accredited Acid Black 2 factory, we enforce strict quality protocols—every batch undergoes rigorous testing to ensure consistent efficacy and safety standards.
| Packing | Acid Black 2 is typically packaged in a 25 kg blue plastic drum with detailed labeling for safety, handling, and chemical information. |
| Shipping | **Acid Black 2** should be shipped in tightly sealed containers, protected from moisture and direct sunlight. Store in a cool, dry, and well-ventilated area. Handle with care, avoiding contact with incompatible materials. Follow all local, national, and international transport regulations pertaining to chemical dyes and hazardous substances. |
| Storage | **Acid Black 2** should be stored in a cool, dry, and well-ventilated area, away from direct sunlight and sources of heat or ignition. Keep the container tightly closed and avoid contact with strong oxidizing agents. Store in compatible, labeled containers to prevent moisture absorption and contamination. Ensure proper handling with personal protective equipment to avoid skin and eye contact. |
Applications of Acid Black 2 in Industrial ManufacturingAs an established manufacturer of Acid Black 2, we supply this high-purity dye to industrial clients across multiple dedicated value chains. Acid Black 2 supports sustainable coloration and processing in textile, leather finishing, paper, wood staining, and ink manufacturing sectors where compliance with evolving standards and precision in formulation are critical. Below, we outline the main application channels and specify key formulation requirements, downstream process points, and targeted end products for each segment. 1. Textile Fiber Dyeing (Wool, Silk, Polyamide)Textile dye-houses rely on Acid Black 2 for producing deep, fastness-stable shades on protein and polyamide fibers such as wool, silk, and nylon. Mills configure formulation based on fabric type and depth of color required, integrating the dye into the acid dye float after scouring and pre-treatment. Careful pH control and temperature ramping support color fixation while minimizing effluent contaminants. Downstream quality control aligns with international textile legislation on dye content and safety, ensuring compliant apparel, home textiles, and industrial yarns reach markets worldwide. Industry compliance standards
Typical usage ratio
Downstream process integration
Final product types
2. Leather Drum DyeingLeather finishing plants utilize Acid Black 2 in drum dyeing processes to develop uniform black and charcoal finishes on both chrome-tanned and vegetable-tanned hides. Its ionic compatibility with collagen fibers ensures deep penetration and color yield, with stable lightfastness post-curing. Plants must track dye addition closely to avoid excess bleed and maintain compliance with consumer and workplace safety limits for dyes on finished hides. Industry compliance standards
Typical usage ratio
Downstream process integration
Final product types
3. Paper Pulp DyeingPaper mills select Acid Black 2 to impart gray and black tints for specialty paper products where fiber uniformity and minimal color migration are essential. This dye is integrated during wet-end batch pulping or directly into the size press, leveraging its high solubility in aqueous systems for consistent batch-to-batch coloration. Mills maintain strict control to comply with regulatory limits on dye residue and ensure performance for further printing and converting operations. Industry compliance standards
Typical usage ratio
Downstream process integration
Final product types
4. Water-based Ink Formulation (Flexographic & Gravure Inks)Ink manufacturers incorporate Acid Black 2 in water-based flexo and gravure systems for producing saturated, stable black inks suited to high-speed printing on porous and semi-porous substrates. The dye’s solubility and resistance to precipitation under varying pH allow for reliable storage stability and minimal sludge formation, provided quality checks on dispersant compatibility and heavy metal content are met. Regulatory screening focuses on migration and environmental safety for printed packaging applications. Industry compliance standards
Typical usage ratio
Downstream process integration
Final product types
5. Wood Stain and Veneer ColoringManufacturers of wood stains employ Acid Black 2 to create uniform black and deep gray shades in aqueous wood coatings for furniture, architectural millwork, and engineered veneers. The dye’s compatibility with lignin-rich substrates ensures deep penetration and color development, with high light stability after overcoats are applied. Application rates must account for wood porosity and targeted opacity, while manufacturing is regulated for both workplace safety and final product consumer exposure. Industry compliance standards
Typical usage ratio
Downstream process integration
Final product types
|
Competitive Acid Black 2 prices that fit your budget—flexible terms and customized quotes for every order.
For samples, pricing, or more information, please call us at +8615371019725 or mail to admin@sinochem-nanjing.com.
We will respond to you as soon as possible.
Tel: +8615371019725
Email: admin@sinochem-nanjing.com
Flexible payment, competitive price, premium service - Inquire now!
Producing dyes isn’t just about mixing chemicals and matching colors. From the synthesis of raw materials to the drying and filtration, each batch tells its own story. Acid Black 2, also often known as Naphthol Black or Soluble Black, is a product we’ve worked with for years – and each step of the process has offered its own set of technical details and unexpected lessons.
Looking around the shop floor, you’ll see how the powder’s deep black character comes from a specific blend of naphthol and diazonium salts, anchored by our choice of copper as the central metal atom. Customers sometimes ask why we stick with this formula instead of exploring different metal complexes or shifting to more modern brighteners. The answer sits in the performance demands of textile mills, paper processors, and leather treatment facilities. They need a black dye that can handle acidic pH environments, resist fading under regular washing, and hold up against harsh fixation conditions. Acid Black 2 stands out because it checks off these boxes dependably, batch after batch.
In textile dye houses, precision matters on the scale of kilograms, but also in the smallest details: temperatures, timing, water chemistry. Our Acid Black 2 model usually arrives as a fine, free-flowing powder with a high degree of water solubility. The typical purity range sits between 95%-99%, which helps avoid contamination issues and ensures consistent shade depth. This consistency comes from rigorous batch controls and regular spectrophotometry, not just written promises.
Workers on the dye line know that not all black dyes behave the same. By design, Acid Black 2 draws clear, even shade on wool, silk, and polyamide fibers, even those processed by exhaust or immersion methods. The particles dissolve cleanly and do not leave slurry sludge, a common headache with certain dispersed dyes or cut-rate imitations. If you open the filter cake after a run, you can see that the dye has penetrated fiber bundles rather than just sticking to the outside.
The formula’s slightly acidic requirements fit well with most standard textile processes, so there’s little lost time spent rebalancing tanks or chasing unpredictable shifts in shade. This predictability matters most to factories on tight timelines, tasked with producing long runs of uniform colors for the fashion, home textiles, or hospitality markets. Here, Acid Black 2 saves more than just money: it helps avoid order rejections and tuning delays, because what the customer expects deep in the design stage is what arrives in the delivery.
Our team often gets direct requests from specialty papermakers and tanneries seeking a black dye that won’t degrade the fiber matrix or damage key qualities like surface strength and printability. Acid Black 2 sees heavy use in colored tissue, fine writing paper, coated boards, and certain labels where appearance and chemical compatibility are both on the line.
For the leather industry, the product’s solubility profile and fixation properties create strong uptake in chrome-tanned hides. During years of on-site visits and customer trials, we’ve noted that leather treated with Acid Black 2 can reach a deeper, neutral black than many vegetable dyes or synthetic alternatives. It holds up even during later refinishing—critical for shoe, bag, and belt manufacturers who want to avoid streaks or uneven color.
There’s another aspect often overlooked: environmental impact. Today’s customers want cleaner waste streams, tighter process controls, and dyes that won’t stick around long after discharge. We’ve refined our process to minimize salt load, using optimized filtration and rinsing to help customers in Europe, North America, and Asia-Pacific stay within their local effluent regulations. It doesn’t solve every challenge, but it sets a foundation that matters in long-term commercial partnerships.
Some competitors in the market repackage generics or take inconsistent runs from third-party sites. Manufacturing Acid Black 2 from start to finish, on our own lines, means more direct control. Our operators track parameters like temperature, pH, and agitation profile on every vessel. Spectral data is checked at least twice for every shift, and particle size sits in a tight tolerance. We invest in old-school hand sampling alongside automated inline QA—more work, but the result is fewer surprises.
If you compare Acid Black 2 to other metal complex dyes, certain distinctions become obvious. The shade leans blue-black, neither brownish nor greenish, with a strong finish in deep tones. In cross-industry testing, Acid Black 2 withstands cleansing cycles, alkaline saponification flashes, and the presence of residual surfactants better than azo-based black dyes or newer sulfur formulations. It’s not just lab results—feedback from customers supports this, especially those running full-scale dyeing or long paper machine campaigns.
We also pay attention to practicalities. The powder doesn’t clump during storage, so operators aren’t forced to break down hard cakes or waste time with reblending. Because of this, losses during weighing and dosing fall to almost nothing. The product dissolves at lower temperatures than many older formulas, which translates to less energy needed in most standard dyeing cycles.
The path of Acid Black 2 doesn’t end at our plant gates. Bulk packaging, storage, and shipping each add extra chances for contamination or mishandling. We use lined bags or drums that prevent moisture ingress, and every shipment gets moisture analysis before loading. Past experience has shown that controlling water content protects both immediate usability and long-term shelf stability.
Customers sometimes ask about switching between different suppliers. The performance differences are clearer than many expect. In head-to-head use, textiles dyed with our batches show less tendency to bleed into neighboring fabrics, even after repeated washing. Paper customers have recorded more uniform color on re-run and recycled lines, with lower rates of spotting and streaking. These aren’t small matters when cost and reputation hinge on reproducibility.
Some users in the leather market require custom adjustments—faster uptake, altered pH, or different granularity. We collaborate directly with process managers to tune particle size or add process aids on request, based on actual production constraints, not theoretical targets. These tweaks come from working side by side on customer sites, running joint trials, and sharing operational risk. The experience helps us to keep product performance tied directly to real-world needs.
Every operator on our floor knows the regulations for handling Acid Black 2, given copper’s presence and its special regulatory profile. We build our plant systems around spill containment, dust minimization, and responsible waste. Air extraction runs with industrial HEPA and carbon filters, designed to keep fine particles out of the work space and the local community.
From raw input to finished packaging, copper scrap, filter residue, and wash water all go through controlled collection and approved disposal. This isn’t about ticking off a checklist but about protecting people and equipment, earning trust through repeat performance. Most clients have their own safety protocols, but we share best practices and frequently update guidance to align with new research and enforcement standards.
Part of today’s manufacturing reality is facing up to public scrutiny and increasingly tight environmental benchmarks. For dye effluent, stricter chemical oxygen demand (COD) and color limits force everyone to reconsider their choices. Our customers have met targets more consistently after switching to our formula, thanks to improved fixation and lower rinse-off. Each facility poses its own demands, but our long-term relationships have taught us to keep ahead, not just react to problems after the fact.
The market offers many black dyes: sulfur blacks, direct blacks, other acid blacks, and certain reactive systems. In practice, those chasing deep, reliable, neutral tones often circle back to Acid Black 2 after trials with alternatives. Sulfur blacks may advertise low price, but they create sludgy filter cakes, leave residues that damage modern machinery, and often lack shade depth after repeated washing. Direct blacks sometimes promise faster throughput but don’t withstand laundering or long UV exposure, leaving end users with faded, dull color after a season.
Reactive blacks offer high fixation rates for cotton but struggle to meet the chemistry and process temperatures of wools or nylons. Our mainstay, Acid Black 2, avoids these limits. Silk dyers often call out the rich tone and smooth uptake, especially in luxury scarf applications where quality control is fierce. In the lab, we’ve seen that the color holds up against sunlight exposure, so applications like upholstery and carpets benefit from longer-lasting appearance.
For the paper segment, technical staff report less dot gain and smoother printability using Acid Black 2, creating more defined lines during flexographic or gravure printing. Viscosity changes stay modest across consumption rates, so ink makers gain predictability batch to batch. Finished products come out cleaner, both in basic color and fiber integrity, compared to low-cost options sourced through distributors that cut corners in process hygiene.
Inside our facility, lean manufacturing isn’t just a slogan—it’s a workflow. Every deviation in shade, solubility, or particle stability gets reported, acted on, and wrapped into future batches. Our site team meets weekly to sift through client feedback, QA logs, and production notes, mapping improvements directly onto plant routines. Changes range from optimizing filtration speed to sourcing higher grades of copper, all translated to better, more predictable outcomes for users.
Sometimes the market demands new forms—granules instead of powder, or pre-mixed solutions. We run pilot batches in our R&D suite to test performance in specific equipment, never sending out a new model until it meets spec over multiple runs. We’ve learned that shortcutting the test cycle leads to unexpected issues downstream, like solubility gaps or unexpected color shifts with certain fiber combinations.
Multiple feedback rounds with high-volume clients mean formulas that meet the changing pH and auxiliary requirements of their plant. Large textile groups adjusting to new water chemistries (such as recycled and desalinated sources) report fewer clumping or residue issues after switching to our cleaner, better-filtered Acid Black 2. Investments in new filter presses and advanced drying have paid dividends—real metrics, like lower wastage and fewer complaints, prove as much.
Our plant team often visits customer factories, not just to handle major installations, but to work through real-world debugging—what happens when a new auxiliary fails, or the local water source changes. These interactions yield more than surface-level improvements. They spark new training routines for on-floor operators, rewrite recipes for process chemicals, and help avoid recurring bottle-necks. We take these insights back into plant calibration and feed them forward through every batch.
As a manufacturer, our perspective on Acid Black 2 is hard-won: every lot reflects hours of attention and technical experience, not just sales brochures. From the first step—choosing inputs—through synthesis, drying, QA, and logistics, each stage benefits from direct control. We’ve gained expertise in minimizing residues, stabilizing shade even in difficult blends, and sharing those benefits through both standard product and tailored variants.
End users receive not just a drum or bag, but the accumulated practical knowledge and concern for results accumulated through years of problem-solving and ongoing R&D. The color on a final fabric, hide, or sheet of paper tells the real story. Customer satisfaction isn’t a marketing flourish, but a consequence of long-term consistency and direct involvement.
Changes across global trade, environmental expectations, and end-user priorities make dye production more demanding. Many large brands and mills demand transparency, continuous improvement, and competitive pricing, all while reducing their own risk around color accuracy, worker safety, and discharge standards.
Through periodic audits, customer co-development days, and open technical communications, we stay tuned into these evolving needs. Our operations adapt to new system requirements and market shifts, but the core product—manufactured under careful supervision—remains a performer. Process know-how and rigorous QA anchor every shipment, offering textile, paper, and leather partners a reliable pigment for demanding jobs.
The long road to consistent color starts in the details: how we source raw materials, the safeguards implemented on the line, the direct calibration in each vessel, and the willingness to roll up sleeves for on-the-ground troubleshooting when needed.
Acid Black 2 isn’t an industry standard by accident. It’s the result of continual pursuit of better batch consistency, technical adaptability, and direct partnerships with end users. Every order reflects the craftsmanship, discipline, and real-world feedback built over years. That’s what sets our product apart—and it’s what keeps us pushing for better results every day.